Like Petals to the Wind
by Jackie Anderson
There she is; the flower woman, walking
along the edge of the cliff singing softly. I can just make out the tune from
where I sit on a moss-stained stone bench. An old sea shanty, the words drift
towards me on the salt-stained breeze.
“Bobby Shafto’s gone to sea…”
Freddy says he’s seen her every morning of
his stay in the lighthouse last month. He fixed the plumbing that last time he
stayed here and now it’s my turn. It’s going to take longer than a week though.
I have to rewire, get new glazing installed, decorate the rooms, fit the
kitchen…just for a start. I’ll be here for months, then back to the city for
Christmas before Freddy and I make the final move to the coast. Our new home by
the sea; a little unusual but far away from the bustle, a place where I can
paint and he can write and we can be hidden from all those prying eyes. Yes,
even in modern cities people stare at a white boy and a black boy walking hand
in hand with matching rings on their wedding fingers.
I pull my jacket close, the wind biting
despite the spring sunshine. I breathe in deeply with the swell of the waves, sensing
the beat of the surf against the great, grey rocks at foot of the cliff. From
the clifftop bench, I watch the sun climb into the morning sky. Behind the
woman who walks the path towards me, my new lighthouse home stands solid,
thrusting up towards the last wisps of grey that remain of night.
“Same time, every day,” Freddy said about
the woman, “singing the same song and scattering flower petals about.”
“Silver buckles on his knee…” her words ride
the air currents towards me.
They are white chrysanthemums today, white
as her hair, petals that flutter when she launches them upwards, pirouetting
like tiny ballerinas about her head before tumbling onto the rocks below.
I clear my throat as she nears, ready to
call out a friendly “good morning”. I guess she might be a neighbour if she is
here every morning.
“He’ll come back and marry me…”
Another handful of petals torn from a dozen
or so stems are flung out towards the vastness of the ocean, tossed in the air,
whirling in the currents which toy with the gulls that nest on the rock face. I
clear my throat again, a little nervous.
“Bonnie Bobby Shafto…”
She’s close now, a buckled twig of a woman,
tight curls shorn close to her scalp, skin creased and the colour of fading
nutmeg.
“Bobby Shafto’s fat and fair…”
She trills as she walks along the footpath.
She’s almost alongside me but takes no notice of my presence. A gull screeches
overhead and my heart pounds. A scrunched up, fragile woman, and me, over six
feet tall and trained for rugby matches. I’m not especially shy and I can’t
understand the prickle of sweat at the base of my neck, the hairs on my arms
standing on end. I tense, senses alert, as if aware of danger. I clear my
throat again.
“Combing down his yellow hair…”
More petals are ripped off and hurled to
the wind, her hand a gnarled claw. She’s close enough for me to see the detail;
the dirt in the creases of her fingers, the black edges around her nails. The
fingers grip the stems relentlessly, unwilling to let the wind snatch them.
Chapped, rough, working wife fingers. She smells; a strong scent like damp
earth, dead leaves and seashells. Her coat is matted, as if it was wet by the
rain weeks ago and never dried, and around her throat she wears a green scarf,
threadbare and frayed and fighting to come loose from its knot.
I glance up at her face, purse my lips to
speak but stay silent. Her cheeks are smooth, flushed from the chill and salt
spray, but look soft as a child’s. I open my mouth to speak but my voice
catches in my throat. Her coat has fallen open to reveal a plain black dress
stretched tight across her belly. She’s pregnant. I don’t know why I’m
surprised Freddy never mentioned it and I thought she was old – the white hair…
“He’ll be mine for every more…”
“Good morning,” I finally say, my words rushing
out. She pauses. There is only one bloom left in her hand. She turns her face,
cold black eyes catching sight of mine and she stares, her face hollow, blank,
uncomprehending.
“Good…” I start to repeat my greeting, not
nervous now, but distinctly afraid. More gulls, more screeching. I’m being
ridiculous.
The woman purses her lips. She looks as if
she might suddenly start to weep, then she tears at the flowers, this time with
both hands ripping. She grunts in rage, growls out the last words of the song,
her words:
“You bastard, Bonnie Shafto!”
And then she’s gone. Over the cliff edge,
her scream blending in with that of the gulls.
My stomach turns, my chest shrinks and my
legs quake as I run to the cliff edge and look down. Nothing. No woman, no
broken body dashed on the rocks or drifting out on the waves. My fingers
tremble so I can barely press out the emergency number on my phone. I babble.
“A woman, you say sir?” comes the
reassuringly steady voice on the phone. “Throws herself off the cliff, sir? Let
me see, what time is it?”
“Never mind the time,” I manage to blurt, “
you’d better send someone out here; she might still be alive!”
“It’s 8.30 am, sir, I’ll send someone out,
you’ve had a shock. You see, sir, that’s Florence Powell. She threw herself off
that cliff over fifty years ago when her lover went to sea abandoning her, and
she with child. She’s been throwing herself off that cliff every morning ever
since.”
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