The Joys of Reading
I've always been a firm believer that reading is an essential prerequisite for writing. It's through reading that you absorb ways of expressing yourself in words, that you develop the sense of plot, of character development, of setting, mood, tone, style, genre...
Yet, of course, reading is so much more than this. It provides an opening to new worlds, to new experiences, to new learning. It sheds light on the obscure. It stretches the imagination and it teaches us to see the world from someone else's perspective. Learning to read, becoming literate, is not just a means for children to pass some exams and prove themselves. It is a pathway to empathy, an enhancement of thinking, a means of relaxing and of escaping the stresses of everyday life.
This past year has been tougher than usual for most of us. I have personally struggled with writing. Writing, in particular fiction or poetry, means digging deep into your emotions, exposing thoughts and fears and feelings that, in times of greater anxiety, you might prefer to keep safely locked away. This year, I have spent more time reading than writing. I have felt the need to escape my own thoughts and find fresh landscapes in the thoughts of others.
At first I was worried about this. My pen was dry, my notebooks blank, my laptop forbidding, a symbol of the more unpleasant drudgery of work rather than inviting creativity. I fretted that I should use lockdown, as many seemed to be doing, to practice writing, to find ways of improving. Maybe even to start the novel I keep saying I'm going to write and never get round to. Then, as the year progressed, I realised that there were enough things to fret about rather than how productive I am. Staying healthy, earning enough to live on, keeping in close touch with all those family members living away from Gibraltar whom I don't see anywhere near enough, getting through new regulations and restrictions, shutting out the negativity and spillage of hatred and ignorance and confusion from social media...all these things were enough to deal with this year.
Instead, I turned to my favourite way of destressing, decompressing and of opening up my mind to new ideas: reading. These are my five favourite reads of this year (in no particular order):
The Strawberry Thief on Amazon
The Strawberry Thief by Joanne Harris
Testament of Youth by Vera Brittain.
Queenie by Candice Carty-Williams
I loved this book and I loved Queenie. What a great character and what a real, down-to-earth voice she has. The book is about Queenie, a young woman not in a particularly good place in her life at the start, and how she negotiates what life has to throw at her. It speaks fearlessly about friendship, race, love and what it means to be a young single black woman negotiating life in the city. It is witty and it is wise and it is fierce. A great read, Queenie was critically acclaimed, with Carty-Williams the first black and female writer to win Book of the Year at the 2020 British Book Awards. I love stepping out of my life and into the lives of characters in a book and Queenie was totally absorbing.
The Forty Rules of Love on Amazon
The Forty Rules of Love by Elif Shafak
This was a beautiful, lyrical book with two tantalising parallel narratives. I picked it up as a winter read to get me through February, which I tend to find a dull and dreary month at the best of times, not least as the world seemed to be plunging into a maelstrom of pandemic, misinformation and crisis. The story interweaves Ella's search for love with the poet Rumi's quest for spiritual enlightenment through his friendship with Sufi mystic Shams of Tabriz who expounds the philosophy through his forty rules of love. The story is told in a series of first person narratives by several different characters and is an enthralling exploration of faith and love.
Solitude House on Amazon
Solitude House by M G Sanchez
This was delightfully dark and a perfect story to read in the lead up to Halloween. Set in Gibraltar and told from the point of view of a self-confessed misanthrope and a misogynistic womaniser, Dr Seracino is the perfect anti-hero, a loathsome protagonist you can't help but like. In following Seracino's descent into an alcohol-soaked retirement to a lonely house hidden in the depths of the upper rock, Sanchez leads us in a journey through the Gibraltar of the eighties and nineties with sharply observed details tinged with his characteristic dry humour. The novel deals with the duality of human nature: Seracino is supposed to care, but is self-absorbed and misanthropic; he lives in a tight-knit society and yet he craves solitude; he achieves solitude and yet is invaded by ghosts. Sanchez explores psychosis and superstition through the character of Seracino, and, not least for me as a Gibraltarian, he also explores Gibraltar through the eyes of a non-Gibraltarian. He looks into Gibraltar as he looks outwards from inside Seracino. A terrific read at the tail end of a dark year which has exposed both the best and the worst of Gibraltar.
As a writer, I am an avid reader, and I'm looking forward to a good read over Christmas. Any recommendations?
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